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Classical concerts featuring
Francesco Piemontesi

Overview

Quick overview of musician Francesco Piemontesi by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
3
Bamberg
Germany
Bamberg
2
Bremen
Germany
Bremen
2
Frankfurt am Main
Germany
Frankfurt am Main
2
Leipzig
Germany
Leipzig
2

ProgramFrequently performs

Piotr Tchaikovsky
Works by
Piotr Tchaikovsky
7
Gustav Mahler
Works by
Gustav Mahler
6
Ludwig van Beethoven
Works by
Ludwig van Beethoven
6
Maurice Ravel
Works by
Maurice Ravel
5
Johannes Brahms
Works by
Johannes Brahms
4
Richard Strauss
Works by
Richard Strauss
4
Robert Schumann
Works by
Robert Schumann
4
Works by
Alexander Zemlinsky
3
Karol Szymanowski
Works by
Karol Szymanowski
3
Antonín Dvořák
Works by
Antonín Dvořák
2

MusiciansFrequently collaborate with

Musician
Jérémie Rhorer
4
Musician
Manfred Honeck
4
Musician
Robin Ticciati
4
Musician
Jonathan Nott
3
orchestra
SWR Symphonieorchester
3

New Arrivals

These concerts featuring Francesco Piemontesi became visible lately at ConcertPulse.

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Upcoming Concerts

Concerts featuring Francesco Piemontesi in season 2024/25 or later

Today
Artistic depiction of the event

Classical Hour Joana Mallwitz Francesco Piemontesi Sergei Rachmaninoff

Wed, Jan 22, 2025, 19:00
Oslo Concert Hall (Oslo)
Joana Mallwitz (Conductor), Francesco Piemontesi (Piano)
In 1909, Sergei Rachmaninoff (1873-1943) traveled on his first US tour. He brought along a newly written piece—Piano Concerto No. 3 in D minor. He was the soloist at the premiere in New York, not knowing that he would emigrate to the US nine years later after the Russian Revolution.Piano Concerto No. 3 opens with a simple, melancholic melody, but during the next 45 minutes, the soloist must master some of the most spectacular music ever written for the piano. Few pianists tried it in the first years, but it gradually became more popular and performed.
Info & Ticket (ofo.no)
Tomorrow
Artistic depiction of the event

Joana Mallwitz Francesco Piemontesi Sergei Rachmaninoff Maurice Ravel

Thu, Jan 23, 2025, 19:00
Oslo Concert Hall (Oslo)
Joana Mallwitz (Condcutor), Francesco Piemontesi (Piano)
In 1909, Sergei Rachmaninoff (1873-1943) traveled on his first US tour. He brought along a newly written piece—Piano Concerto No. 3 in D minor. He was the soloist at the premiere in New York, not knowing that he would emigrate to the US nine years later after the Russian Revolution.Piano Concerto No. 3 opens with a simple, melancholic melody, but during the next 45 minutes, the soloist must master some of the most spectacular music ever written for the piano. Few pianists tried it in the first years, but it gradually became more popular and performed. “I cannot imagine a more lively, problematic, human, artistically poignant and, in the best sense, dramatic figure … Mathis placed himself at the service of the powerful machinery of state and church and was apparently able to resist the pressures of the institutions.” These are the words Paul Hindemith (1895-1963) used to describe the Renaissance painter Matthias Grünewald, who inspired him to write a symphony and an opera with the title Mathis der Maler. The symphony is based on Grünewald’s most famous artwork, the Isenheim Altarpiece.Both artists bore witness to great upheavals - Grünewald lived through the German Peasants’ War in the 1520s, Hindemith during the rise of Nazism. Hindemith’s radical musical style, his provocative statements, and his wife’s Jewish background put him in a gradually more difficult position.In line with social developments, Hindemith in Mathis der Maler took a step in a more traditional direction, with elements of German folk tunes and music that may send the mind to Brahms and Wagner. The symphony was a great success with the public at its premiere in Berlin in 1934. ”Through whirling clouds, waltzing couples may be faintly distinguished. The clouds gradually scatter: one sees (...) an immense hall peopled with a whirling crowd. The scene is gradually illuminated. The light of the chandeliers bursts forth (...) in an imperial court, about 1855.”This is the introduction Maurice Ravel (1875-1937) wrote in the sheet music for La Valse. Already in 1906, he started on a tribute to Vienna, the waltz, and the “waltz king” Johann Strauss Jr.. La Valse premiered in Paris in the fall of 1920 as a standalone orchestral work. The recently ended World War I ended Vienna as the capital of a great empire. In Ravel, the waltz undergoes an extreme transformation that ends in a breakdown. Many in the audience experienced the play as a description of the demise of pre-war culture.
Info & Ticket (ofo.no)
February 6, 2025
Artistic depiction of the event

Hadelich / Piemontesi / Music of the masters from the banks of the Seine

Thu, Feb 6, 2025, 19:30
Narodowej Orkiestry Symfonicznej Polskiego Radia, Concert Hall (Katowice)
Augustin Hadelich (Violin), Francesco Piemontesi (Piano)
Stars up close! Today, Augustin Hadelich is a world-leading violinist who conquers the world's stages and performs with the best orchestras, including the NOSPR. He returns with a chamber programme, in duo with the versatile piano virtuoso Francesco Piemontesi. Their concert, which will be dominated by French music, is designed in a modern way. There is no shortage of the canon of violin music, represented by Franck's striking, emotional, late Romantic sonata and Debussy's subtle, intimate sonata. They are accompanied by a third, wonderfully melodic sonata by Francis Poulenc. Both predecessors will shine through, as Poulenc's sounds focus their qualities like a lens because our perception changes with the context. Old French music (by de Grigny and Rameau) will indicate the roots of the work of the masters from the Seine banks mentioned above. György Kurtág's handful of short musical gestures, meanwhile, will allow us to pause for a moment to take a fresh look at what we already know. Adam Suprynowicz Concert duration (intermission included): approximately 90 minutes
Info & Ticket (nospr.org.pl)
March 5, 2025
Artistic depiction of the event

übelst unverstärkt: Francesco Piemontesi

Wed, Mar 5, 2025, 21:00
Bunker Feldstraße, Uebel & Gefährlich (Hamburg)
Francesco Piemontesi (Piano), Mitglieder des NDR Elbphilharmonie Orchesters
A long bar, dim lighting, beanbags and a relaxed audience. This is what concert evenings at »übelst unverstärkt« look like, where musicians from the NDR Elbphilharmonie Orchestra perform with international soloists. Alan Gilbert, chief conductor of the NDR Elbphilharmonie Orchestra, has already dropped by with his viola. Martin Fröst, Joshua Bell, Daniel Müller-Schott, Anna Vinnitskaya and Augustin Hadelich followed with great live acts. And they all had a lot of fun performing in a neighbourhood club and presenting captivating chamber music up close.
Info & Ticket (www.elbphilharmonie.de)
March 6, 2025
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Francesco Piemontesi / Manfred Honeck

Thu, Mar 6, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Francesco Piemontesi (Piano), Manfred Honeck (Conductor)
Manfred Honeck has become a regular guest conductor of the NDR Elbphilharmonie Orchestra. This time, he confronts music by two famous composer colleagues and friends, Johannes Brahms and Antonín Dvořák. He is joined by Swiss pianist Francesco Piemontesi, who already impressed audiences last season with Beethoven’s Fourth Piano Concerto at the Elbphilharmonie.
Info & Ticket (www.elbphilharmonie.de)
March 9, 2025
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Francesco Piemontesi / Manfred Honeck

Sun, Mar 9, 2025, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Francesco Piemontesi (Piano), Manfred Honeck (Conductor)
Manfred Honeck has become a regular guest conductor of the NDR Elbphilharmonie Orchestra. This time, he confronts music by two famous composer colleagues and friends, Johannes Brahms and Antonín Dvořák. He is joined by Swiss pianist Francesco Piemontesi, who already impressed audiences last season with Beethoven’s Fourth Piano Concerto at the Elbphilharmonie.
Info & Ticket (www.elbphilharmonie.de)
March 15, 2025
Artistic depiction of the event

Glasgow Royal Concert Hall

Sat, Mar 15, 2025, 19:30
Glasgow Royal Concert Hall
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Info & Ticket (lpo.org.uk)
March 16, 2025
Artistic depiction of the event

The Glasshouse, Gateshead

Sun, Mar 16, 2025, 15:00
The Glasshouse, Gateshead
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Info & Ticket (lpo.org.uk)
March 17, 2025
Artistic depiction of the event

The Bridgewater Hall, Manchester

Mon, Mar 17, 2025, 19:30
The Bridgewater Hall, Manchester
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Info & Ticket (lpo.org.uk)
March 19, 2025
Artistic depiction of the event

Mahler’s Fifth

Wed, Mar 19, 2025, 19:30
Royal Festival Hall (London)
Robin Ticciati (Conductor), Francesco Piemontesi (Piano)
Robin Ticciati presents Mahler’s blockbuster journey from darkness to light. A trumpet sounds a fanfare, the orchestra cries out, and Mahler’s Fifth Symphony judders into life. But a symphony, said Mahler, must be like the world; and 70 minutes later the whole orchestra is storming the heavens in triumph. It’s a blockbuster journey from darkness to light, told in funeral marches, Viennese waltzes and of course, music’s sweetest love-letter – the rapturous Adagietto. But Robert Schumann knew a thing or two about love, too, and Glyndebourne Music Director Robin Ticciati is joined by pianist Francesco Piemontesi in Schumann’s heartfelt Piano Concerto – music in which these two artists share a very special rapport.
Info & Ticket (lpo.org.uk)
April 10, 2025
Artistic depiction of the event

Gewandhausorchester, Manfred Honeck Dirigent

Thu, Apr 10, 2025, 19:30
Gewandhaus Leipzig, Großer Saal (Leipzig)
Gewandhausorchester (Orchestra), Manfred Honeck (Conductor), Francesco Piemontesi (Piano)
Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.
Info & Ticket (www.gewandhausorchester.de)
April 11, 2025
Artistic depiction of the event

Gewandhausorchester, Manfred Honeck Dirigent

Fri, Apr 11, 2025, 19:30
Gewandhaus Leipzig, Großer Saal (Leipzig)
Gewandhausorchester (Orchestra), Manfred Honeck (Conductor), Francesco Piemontesi (Piano)
Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.
Info & Ticket (www.gewandhausorchester.de)